Throughout her career, Brooklyn-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. Returning to Ourselves centers around a series of dolls that Musasama produced that mirror African-American topsy turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll. Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. Returning to Ourselves is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.  

Throughout her career, Brooklyn-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. Returning to Ourselves centers around a series of dolls that Musasama produced that mirror African-American topsy turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll. Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. Returning to Ourselves is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.  

Throughout her career, Brooklyn-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. Returning to Ourselves centers around a series of dolls that Musasama produced that mirror African-American topsy turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll. Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. Returning to Ourselves is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.  

Sofía Luz Pérez is a Mexican American artist born in Austin, Texas and raised in Central New York. Her work often depicts ancient feminine archetypes while referencing self-portraiture, bringing together the ancient wisdom of her pre-Colombian cultural heritage with her present-day self. “My practice stems from an inner narrative that I’m working through. Much of my work has been inspired by the experience I’ve had with healing illness, and by the healing of generational family trauma. I address both the physical and nonphysical (spiritual) aspects of those processes. I began drawing self-portraits to document my process and progression in the aftermath of the diagnosis.” “Since then, I usually depict a fusion of self-portraiture and images of empowerment with symbolism from my ancestral heritage. I often reference archetypes through the powerful goddess imagery from Aztec mythology. I began my exploration into my ancient indigenous heritage many years ago, and it has been a key component in my creative practice.” Hours: Wednesday – Friday 2–6pm Saturday 12–4pm

Our string quartet performs downstairs in the Commons Lounge near Burlington - the music from: Merry Go Round of Life, One Summer’s Day, My Neighbor Totoro, Grave of the Fireflies, From Up on Poppy Hill, Princess Mononoke, Castle in the Sky, Kiki's Delivery Service, Ponyo on a Cliff by the Sea

Our string quartet performs downstairs in the Commons Lounge near Burlington - the music from: Merry Go Round of Life, One Summer’s Day, My Neighbor Totoro, Grave of the Fireflies, From Up on Poppy Hill, Princess Mononoke, Castle in the Sky, Kiki's Delivery Service, Ponyo on a Cliff by the Sea

Our string quartet performs downstairs in the Commons Lounge near Burlington - themes from Succession, Game of Thrones, Downtown Abbey, Bridgerton, Great British Baking Show, Stranger Things, Curb Your Enthusiasm, Mrs. Maisel; Music from The Crown, Hunger Games

Our string quartet performs downstairs in the Commons Lounge near Burlington - themes from Succession, Game of Thrones, Downtown Abbey, Bridgerton, Great British Baking Show, Stranger Things, Curb Your Enthusiasm, Mrs. Maisel; Music from The Crown, Hunger Games

Throughout her career, Brooklyn-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. Returning to Ourselves centers around a series of dolls that Musasama produced that mirror African-American topsy turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll. Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. Returning to Ourselves is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.  

Throughout her career, Brooklyn-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. Returning to Ourselves centers around a series of dolls that Musasama produced that mirror African-American topsy turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll. Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. Returning to Ourselves is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.